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If you want them to be more intelligent, read them more fairytales. The adaptation of fairy tales for children continues.
Walt Disney 's influential Snow White and the Seven Dwarfs was largely although certainly not solely intended for the children's market.
In contemporary literature , many authors have used the form of fairy tales for various reasons, such as examining the human condition from the simple framework a fairytale provides.
A common comic motif is a world where all the fairy tales take place, and the characters are aware of their role in the story,  such as in the film series Shrek.
Other authors may have specific motives, such as multicultural or feminist reevaluations of predominantly Eurocentric masculine-dominated fairy tales, implying critique of older narratives.
Examples of narrative reversal rejecting this figure include The Paperbag Princess by Robert Munsch , a picture book aimed at children in which a princess rescues a prince, and Angela Carter 's The Bloody Chamber , which retells a number of fairy tales from a female point of view.
There are also many contemporary erotic retellings of fairy tales, which explicitly draw upon the original spirit of the tales, and are specifically for adults.
It may be hard to lay down the rule between fairy tales and fantasies that use fairy tale motifs, or even whole plots, but the distinction is commonly made, even within the works of a single author: The most notable distinction is that fairytale fantasies, like other fantasies, make use of novelistic writing conventions of prose, characterization, or setting.
Fairy tales have been enacted dramatically; records exist of this in commedia dell'arte ,  and later in pantomime. The Walt Disney Company has had a significant impact on the evolution of the fairy tale film.
Some of the earliest short silent films from the Disney studio were based on fairy tales, and some fairy tales were adapted into shorts in the musical comedy series " Silly Symphony ", such as Three Little Pigs.
Walt Disney 's first feature-length film Snow White and the Seven Dwarfs , released in , was a ground-breaking film for fairy tales and, indeed, fantasy in general.
Many filmed fairy tales have been made primarily for children, from Disney's later works to Aleksandr Rou's retelling of Vasilissa the Beautiful , the first Soviet film to use Russian folk tales in a big-budget feature.
Other works have retold familiar fairy tales in a darker, more horrific or psychological variant aimed primarily at adults. In comics and animated TV series, The Sandman , Revolutionary Girl Utena , Princess Tutu , Fables and MÄR all make use of standard fairy tale elements to various extents but are more accurately categorised as fairytale fantasy due to the definite locations and characters which a longer narrative requires.
A more modern cinematic fairy tale would be Luchino Visconti's Le Notti Bianche , starring Marcello Mastroianni before he became a superstar. It involves many of the romantic conventions of fairy tales, yet it takes place in post- World War II Italy , and it ends realistically.
Any comparison of fairy tales quickly discovers that many fairy tales have features in common with each other. This system groups fairy and folk tales according to their overall plot.
Common, identifying features are picked out to decide which tales are grouped together. Much therefore depends on what features are regarded as decisive.
Further analysis of the tales shows that in Cinderella , The Wonderful Birch , The Story of Tam and Cam , Ye Xian , and Aschenputtel , the heroine is persecuted by her stepmother and refused permission to go to the ball or other event, and in Fair, Brown and Trembling and Finette Cendron by her sisters and other female figures, and these are grouped as A; while in Cap O' Rushes , Catskin , and Allerleirauh , the heroine is driven from home by her father's persecutions, and must take work in a kitchen elsewhere, and these are grouped as B.
But in Katie Woodencloak , she is driven from home by her stepmother's persecutions and must take service in a kitchen elsewhere, and in Tattercoats , she is refused permission to go to the ball by her grandfather.
Given these features common with both types of , Katie Woodencloak is classified as A because the villain is the stepmother, and Tattercoats as B because the grandfather fills the father's role.
This system has its weaknesses in the difficulty of having no way to classify subportions of a tale as motifs. Rapunzel is type The Maiden in the Tower , but it opens with a child being demanded in return for stolen food, as does Puddocky ; but Puddocky is not a Maiden in the Tower tale, while The Canary Prince , which opens with a jealous stepmother, is.
It also lends itself to emphasis on the common elements, to the extent that the folklorist describes The Black Bull of Norroway as the same story as Beauty and the Beast.
This can be useful as a shorthand but can also erase the coloring and details of a story. Vladimir Propp specifically studied a collection of Russian fairy tales , but his analysis has been found useful for the tales of other countries.
One such element is the donor who gives the hero magical assistance, often after testing him. The roles can be more complicated. Characters who are not always the donor can act like the donor.
Analogies have been drawn between this and the analysis of myths into the Hero's journey. Many fairy tales have been interpreted for their purported significance.
One mythological interpretation saw many fairy tales, including Hansel and Gretel , Sleeping Beauty , and The Frog King , as solar myths ; this mode of interpretation subsequently became rather less popular.
Specific analyses have often been criticized [ by whom? Other folklorists have interpreted tales as historical documents. Many [ quantify ] German folklorists, believing the tales to have preserved details from ancient times, have used the Grimms' tales to explain ancient customs.
One approach sees the topography of European Märchen as echoing the period immediately following the last Ice Age. In a lecture, Jack Zipes reads fairy tales as examples of what he calls "childism".
He suggests that there are terrible aspects to the tales, which among other things have conditioned children to accept mistreatment and even abuse.
Even contemporary fairy tales have been written for the purpose of inspiration in the music world. From Wikipedia, the free encyclopedia. For other uses, see Fairy tale disambiguation.
For a comparison of fairy tale with other kinds of stories, such as myths, legends and fable, see Traditional story. Collections of fairy tales.
Books portal Children's literature portal. The Telegraph 5 September Retrieved 20 January The Literary Fairy Tales of France".
Archived from the original on The Magic Mirror of the Imagination. From Straparola and Basile to the Brothers Grimm , pp.
From Straparola and Basile to the Brothers Grimm , p. University of Kentucky Press. Classical Fairy Tales and Their Tradition , p.
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The Uses of Enchantment: The Meaning and Importance of Fairy Tales. The Importance of Ideas: As the glaciers of the last ice age retreated from c.
Byatt , "Introduction", Maria Tatar, ed. John Clute and John Grant. The Encyclopedia of Fantasy. St Martin's Press, Patrick Drazen, Anime Explosion!: From Straparola and Basile to the Brothers Grimm.
Find more about Fairy tale at Wikipedia's sister projects. Folklore genres, types, and subtypes. Folk religion Myth Old wives' tale Ritual Legend tripping.
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Children's literature portal Books portal. Retrieved from " https: Literature lists Fairy tales Lists of books by genre Lists of stories.
Legends, Tales, and Stories of Ireland . Fairy Legends and traditions of the South of Ireland . Donegal Fairy Stories . Legendary Fictions of the Irish Celts .
Legends of Saints and Sinners . Legendary Fictions of the Irish Celts . One Thousand and One Nights. Hero-Tales of Ireland . Donegal Fairy Stories .
Legendary Fictions of the Irish Celts . Manx Fairy Tales . The Facetious Nights of Straparola. New Fairy Tales The Royal Hibernian Tales .
In the Chimney Corners . Irish Folk and Fairy Tales Omnibus . Hero-Tales of Ireland . Jeanne-Marie Leprince de Beaumont. Les Contes des Fees.
Welsh Fairy Tales and Other Stories . Legendary Fictions of the Irish Celts . Manx Fairy Tales . Hero-Tales of Ireland .
Hero-Tales of Ireland . Legends and Stories of Ireland . Irish Folk and Fairy Tales Omnibus . Legends, Tales, and Stories of Ireland .
Legends and Stories of Ireland . Legends and Stories of Ireland . Popular Tales of the West Highlands. Hero-Tales of Ireland . Malay region such as Malaysia , Brunei , Singapore and Indonesia.
The Grey Fairy Book. Children's and Household Tales. Gabrielle-Suzanne Barbot de Villeneuve. West Irish Folk-Tales and Romances .
Irish Fairy Tales . Donegal Fairy Stories . Legendary Fictions of the Irish Celts . Fairy and Folk Tales of the Irish Peasantry .
Fairy and Folk Tales of the Irish Peasantry . Legendary Fictions of the Irish Celts . Fairies and Folk of Ireland . In the Chimney Corners .
Manx Fairy Tales . Welsh Fairy Tales and Other Stories . Irish Sagas and Folk Tales . Irish Fairy Tales .
Myths and Folk-Lore of Ireland . A House of Pomegranates. Childhood Favourites and Fairy Stories . The Royal Hibernian Tales .
Myths and Folk-Lore of Ireland . Irish Folk and Fairy Tales Omnibus . In the Chimney Corners . Legendary Fictions of the Irish Celts .
Irish Folk and Fairy Tales Omnibus . Irish Folk and Fairy Tales Omnibus . The Royal Hibernian Tales . Legendary Fictions of the Irish Celts .
Irish Sagas and Folk Tales . Hero-Tales of Ireland . Hero-Tales of Ireland . Tales of the Fairies and of the Ghost World .
The Boy Apprenticed to an Enchanter . Five Irish Stories . The Irish Fairy Book . Irish Fairy Tales .
The Irish Fairy Book . Fairy Legends and traditions of the South of Ireland . Legendary Fictions of the Irish Celts . Legends of Saints and Sinners .
Manx Fairy Tales . Manx Fairy Tales . Fairy Legends and traditions of the South of Ireland .
Legends and Stories of Ireland . Hero-Tales of Ireland . Manx Fairy Tales . Irish Fairy Stories . Fairy Legends and traditions of the South of Ireland .
Irish Folk and Fairy Tales Omnibus . Irish Fairy Tales . Legends and Stories of Ireland . Irish Folk and Fairy Tales Omnibus .
Tales of the Fairies and of the Ghost World . Legendary Fictions of the Irish Celts . West Irish Folk-Tales and Romances .